sports dictionary Aikido
AE path, method, method, type, manner. In Japan, any art that aims to achieve technical and spiritual perfection is called the Do Path to harmony of mind and body.
AGATSU victory over yourself
AI HANMI match counter. The position of the partners, in which both have the same legs in front of them
AI NYUKE mutual care
AI TEACH mutual murder
AIKI Ken is Aikis fencing technique. Fencing according to the principles of Aiki.
AIKI JINJA Aiki Temple. The Founders spirit resides in this building located in Iwama, Isaragi Prefecture.
AIKI NAGE "spiritual" roll, a roll with the help of the spirit
AIKI OKAMI The Great Spirit of Aiki. The highest symbol of those ideals that were most revered by the Founder.
AIKIDO the path of harmony. After decades of various physical and spiritual pursuits, the Founder of Aikido, Morihei Ueshiba, chose this name to refer to his unique system.
AIKIDOKA practicing aikido
AIKUCHI tanto knife for women to wear without a tsuba
AIKYOTOSHI deep entrance with uke outer leg toss
ANDO exercise or practice
ASHI sometimes it means a leg, sometimes a foot
ASHI SABAKI footwork
ASHI-IBUME moving around the tatami mat
ATEMI hit. A defensive strike used to neutralize your partner so that they lose their balance and you can effectively perform a move.
AVAZE training with a partner
AYHANMI KATATE TORI one-handed capture of the same hand while simultaneously standing up
AYUMI ashi crossed legs (the back leg extends and becomes the front leg)
BITCHES disclosure to attack
BOKENWAZA defense against a sword (wooden)
BOKKEN bokuto wooden sword
BOKUTO common name of a wooden sword
BUDO military path, combat principles. The principles are derived from martial arts, such as Judo from Jujutsu.
BUDOKA one who professes martial principles; a person who follows a militant path, the path of a warrior.
BUSHIDO the warriors way
CHIDORI ashi crossing step (zigzag)
CHOKU TSUKI direct hand strike
CHOKUSEN straight. So shokusen no irimi is a direct entry
CHUDAN average position
CHUDAN TSUKI mid-level punch
CHUSHIN centre
CLOSED blunt katana
DAITO RYU traditional Aikijutsu system
DAN black belt rank
DAWNS sandals, for the passage to the tatami mat, to keep it clean
DOJO literally the place of the path. Training room. The name applies to both Buddhist temples and any training hall where the path is practiced.
DOJO CHO head of the dojo
DOMO ARIGATO GOZAIMASHITA in Japanese, "thank you very much"
DOSHU grand master, master. According to Japanese customs, the position of Grand Master should be inherited. Currently, Doshu Moriteru Ueshiba, grandson of the Founder.
DZANSIN indestructible concentration. Zansin "following through" reception," through " technique; even after throwing, you are connected to your partner by a continuous flow of Ki and are still ready to accept any new attack.
DZIYU WAZA free attack and defense
EMPY TEACH elbow strike
ENGI interconnected origins
ENKE-OSAE (GEKUBI-OSAE) 4th skill. Holding the wrist by applying pressure to the pain point on the arm
EONKE 4th control
FUKOSHIDOIN auxiliary instructor
FURI KABURI moving with a raised sword
GADAN KAMAE stand with your hands down
GADANTSUKI direct punch to the lower abdomen
GAESHI (KAESHI) moving outwards or towards with rotation
GAMAE Desk
GASSE meeting of hands
GEDAN lower position, level. Sword or hands at hip level.
GENDAYTO modern sword (made around the 20th century)
GERI kick
GI (DO GI) (KEIKO GI) workout clothes
GOKE-OSAE holding by stretching the partners arm (knife protection)
GOKKE 5th control
GREAT DANES training clothes
GYAKU techniques that use joint flexion
GYAKU HANMI counter (mirror) position of partners
HAKAMA split skirt, usually worn in the black belt rank
HANMI semi-open stance in Aiki Jutsu and Aikido, in which the feet form a triangle
HANMI HUNTATI the position where nage is sitting and ukyo is standing
HANMI KHANDACHIWAZA nage sits, ukyo attacks standing up
HAPPO 8 directions; as in happo ando (8 directions exercises) or happo giri (8 directions sword strikes).
HARA body center, mass. Also a center of mind and spirit
HARA TSUKI kick or push to the center (stomach)
HASSO NO KAMAE Eight-form stance (sword / jo near the head)
HENKA VASE various techniques. Especially when starting one method and changing to another halfway through execution.
HIDARI left
HIJIKIME OSAE holding with an impact on the elbow
HIRAKI ASHI The back foot going forward is placed in the direction of the opponent, the front foot is rotated until returning to the kamai, but with the other foot in front. (As in the beginning of the 2nd form of ikke).
HITO human being, human being, human being. "The human being is the child of divinity, the vital abode of great holiness" is a well-known saying of the Founder.
HITOMEI equal position, legs parallel to the forward direction
HITORI VASE shadow fight
HOMBU DOJO a term used to refer to the organizations central dojo. Main training hall, Aikido headquarters in Tokyos Shinjuku District. It is also the headquarters of the All-Japan and International Aikido Associations.
ICI breath. Iki is more of a physical act of gas exchange in the lungs, whereas Kokyu refers to the deep cosmological aspects of respiration.
IKKE the first technique of holding the opponents hand in the elbow joint area
IKKE OSAE holding on the floor with an impact on the elbow (1st control)
IRIMI tenkan is sometimes called tai sabaki
IRIMI NAGE counter-entry throw
JIN NO KOKYU human breathing. The third stage of breathing meditation.
JO a wooden stick (staff) approximately 4 to 5 feet long
JO DORI selecting a dze. Techniques for disarming an opponent armed with a jo staff, stick, or club.
JO DOSA exercises with a stick
JOEDAN top level. Sword or hands at shoulder level or slightly higher.
JOVAZA defense against stick attack
JUJI crossing hands
JUJI NAGE a throw in which ukes arms are crossed at right angles.
KACHIHAYABI "victory at the speed of light"
KAISO Founder. This name is usually used to represent Morihei Ueshiba (O Sensei variant).
KAITEN rotate 180 degrees, feet stay in place, literally "open and turn". The third of the three basic throwing techniques of Aikijutsu and Aikido.
KAITEN NAGE back flip throw
KAMAE position or stance with or without a weapon
KAMI the deity, the divine spirit, the holy inspiration that elevates man. The Japanese kami tradition has no direct parallels in Western religious terminology.
KAMIZA a small shrine often placed in front of a dojo
KANGXIA appreciation, gratitude. Aikido attaches particular importance to expressing gratitude and appreciation not only to your mentors and fellow practitioners, but also to all members of society and all elements of creation.
KANSETSU VASE combined techniques
KATA fixed form or prescribed mode of movement. It is used in martial arts as a training method.
KATAME WAZA retention technique
KATANA what is vulgarly called a samurai sword
KATATE RYOTE TORI grab with both hands in one go
KATSU JIN KEN the sword that keeps you alive
KAYDEN masters degree. A graduation certificate awarded in accordance with the traditional martial arts training system.
KAYOSHI VASE counter-technique, counter-technique.
KEIKO training with spirit and blocking
KEIKO GI a more formal name for the gi (see above)
KENJUTSU fencing technique. Aikijutsu and Aikido techniques performed with a sword.
KENSHO enlightenment (see mokuso and satori)
KESA belt worn diagonally across the chest by Buddhist priests
KESA GIRI cutting the body across the chest (yayido)
KETTLEBELLS 1) cross-section, 2) liability / debt
KI opinion. Spirit. Energy. A vital force. Intention. (chi in Chinese). Ki, the life-giving substance of the universe, has no equivalent in other languages and other teachings. A fundamental element of all aspects of Eastern culture-philosophy, medicine, art, and physical training. Ki can only be realized by direct perception.
KI MISUBI ki no misubi literally ki
KIHON VASE the most formal way to perform or demonstrate a technique
KIKAI TANDEN the receptacle of Ki. In the East, it is believed that the psychic and spiritual center is located in a person five centimeters below the navel at the point of kikai kanden. As a source of physical strength, this area is used in exercises that practice the use of Kokyu and Ki.
KIRI cut
KIRI GAESHI large diagonal sword cut ending in waki gamai position
KIRI HIRAKU stop and open it. Aiki sword moves that cut off defilement and open the path of spiritual development.
KIRI OTOSHI rollover throw on your back
KIRIKAMI first ID card. An entrance certificate awarded according to the traditional martial arts training system.
KIYAI executed by Ki. In physical terms, the kiyai is expressed as a high-pitched cry coming from the depths of your being. Spiritually expressed as a powerful outpouring of vital energy.
KOHAI junior
KOKORO "heart" or "thought"
KOKYU moving breath. The concept of Kokyu is similar to the Indian idea of prana ,the " life breath of the cosmos." When your Kokyu is full and deep, you are attuned to the action of the universe.
KOKYU HO breathing meditation. A special type of concentration and preparatory techniques that help calm the spirit and establish true Kokyu.
KOKYU NAGE throw using " breath power”
KOSHI NAGE hip throw
KOSHIITA back of the hakama
KOSHIN moving in the opposite direction
KOSI GAOSHI hip throw
KOTE (1) armband. it is performed approximately from the base of the thumb to the middle of the forearm. (2) gloves used in Yayido and kendo.
KOTE GAESHI flip throw using a brush
KOTEGAYOSHI twisting the wrist. Wrist twist throw.
KOTO old sword (made before 1573)
KOTODAMA sacred words. Ancient Shinto science of sacred sound and speech.
KOUSUKA Name of the first Founders training hall in Tokyo
KOZUSHI hitting and / or abruptly unbalancing the uke
KUMIJO consensual exercises with joe
KUMITACHI sword compliance exercises
KUSHO POINTS acupuncture points
KUZUSHIN disequilibrium
KYU white belt rank or any rank below shodan
MA AI combat distance. Proper spacing between partners; varies depending on the size and armament of the partners.
MAE GEHRY kick forward with the foot locked
MAE UKEMI somersault forward
MAKOTO NO KOKYU true breath. Another name for breathing meditation.
MASAKATSU "true victory" (see Agatsu and Kachihayabi)
MASAKATSU AKATSU "By acting in accordance with the truth, we will always emerge victorious." A well-known saying of the Founder, summarizing the ethics of Aikido.
MAY front side, front
MENKE teachers diploma. The third certificate awarded according to the classical martial arts training system.
MISOGI ritual cleansing. Although misogi rituals usually involve water purification (such as under a waterfall), the Founder believed that all Aikido techniques should be forms of misogi.
MITSUBISHI blow to the eyes with the back of your hand
MOKUROKU list of techniques. The second certificate awarded according to the classical martial arts training system.
MOKUSO reflection
MOROTE DORI two-handed hold
MUNA TORI MENUCHI front chest grab and shomen uchi
MUNE TORI chest grab
MUNE TSUKI a punch or push to the chest.
MUSHIN literally "without thinking"
MYUDANSHA students without a black belt
MiGs right side
NAGA a person who understands or accepts. The defender. The one who is being attacked, and who himself performs the reception, defending himself from the attack; also, the reception itself is a throw.
NAGARE current, flow. The incessant eruption of Ki during the execution of techniques.
NIKKE the second technique of holding the opponent
NIKKE OSAE 2nd control
NINJAE compassion
NUKITSUKE drawing of a sword
OBI ribbon, belt
OMOTE front side
OMOTO KYO the teaching of the great foundation. A religion founded in the early twentieth century by Deguchi Nao Deguchi Onisasuro. The founder had been an ardent supporter of Omoto kyo since he was thirty.
ONEGAI SHIMASU "I invite you to practice with me"
OSAE pressing, pressing, holding
OSAE WAZA retention technique
OTOSHI drop it
RANDORI learning by all means
RAY a bow. A formal gesture of respect and gratitude performed by Aikijutsu and Aikido practitioners.
RE SOTE TORI grab both elbows from the front
RECATADORI capture both shoulders
REIGI etiquette
RENSHU Ren (repetition) Shu (learn) or are taught by repetition
RETE TORI two-hand grip
RETEDORI capture both hands
RETEMOCHI (KATAT ERETZDORI) two-handed grip
RYO KATA TORI front grip for both shoulders
RYOHIJIDORI grab both elbows
RYU school or military art style
SABAKI moving
SANKE 3rd control
SANSHO Three wins (Chiba Sensei sword technique)
SATORI enlightenment
SAYA the scabbard
SAYU ANDO left right technique
SEIKA TANDEN (HARA, TANDEN) center, concentration of vital energy KI in a person; center of gravity of the body
SEIZA kneeling position
SENSEI teacher, master, instructor
SETSU NIN TO "the sword that kills"
SETSUZOKU connection
SHIDOIN formal name, approximately, "instructor"
SHIHAN master mentor. A title applied to higher-ranking teachers.
SHIHO NAGE throw on four sides
SHIHONAGE throw in four directions. The first of the basic throwing techniques of Aikijutsu and Aikido.
SHIKAKU a position relative to the partner where it is difficult for them to continue performing the task
SHINAI bamboo training sword (Kendo)
SHINKENSHOBU literally "Duel with live swords"
SHINNE similarity
SHINSHINTO new sword (made between 1760 and 1900)
SHINTO "the way of the gods". Religion of Japan.
SHITE performer of the technique (literally "making hands")
SHOMEN the front side or top of the head. Also the front side of the dojo.
SHOMEN TSUKI a punch to the head
SHOMEN UCHI palm edge strike to the head from above
SHOSHIN beginners every time you are ukyo or naga
SIHO kiri four-way punch. Basic sword movement in Aikijutsu and Aikido.
SIKKO step of the samurai. Movement on your knees.
SOKUMAN iriminage an entry throw using the partners counter move
SOTAY-DOSA preparatory exercises used together with a partner
SOTE TORI grabbing the elbow
SOTE TORI JODANTSUKI front elbow grab and shomen tsuki
SOTO outside, from the outside
SUBURI jo or bokens basic technique consists of punches and throws
SUKASHI VASE a technique performed without allowing the attacker to complete the capture or start striking.
SUMI GAESHI angle throw
SUMI OTOSHI elbow pressure throw
SURI ashi sliding step
SUTEMI literally "throw from the body". A throwing technique performed in a fall.
SUVARI sitting, sitting
SUVARI VAZA techniques performed by uke and naga in a sitting position.
SUVARIVAZA performing technical actions on your knees
TACHI japanese longsword type
TACHI TORI taking the sword
TACHIWAZA performing technical actions while standing up
TAGATANA hand sword. Since Aikijutsu and Aikido techniques are based on sword movements, a hand with fingers actively exuding Ki can act like a sword itself.
TAI gi is usually 6 techniques performed consecutively (Ki Aikido)
TAI ATARI login and blocking
TAI JUTSU body technique. Techniques performed without weapons.
TAI SABAKI moving. The movement of the body in Aikijutsu and Aikido should be free-flowing, natural and careful.
TANDEN centre
TANINSUGAKE technique against many attackers
TANTO dagger
TANTOVAZA anti-knife defense technique
TASHI VAZA technique performed while standing up
TATAMI MATS mats.
TEACH US deshi student
TEKUBI wrist
TENCHI heaven and earth. A common expression in Aikido. Everyone should be considered a small universe, growing out of the earth and reaching the heavens. Also denoted is a whole group of Tenchi nage techniques, the "heaven and earth" roll.
TENCHI NAGE sky-to-earth roll
TENCHIN move where the naga retreats 45 degrees back
TENKAI see kaiten
TENKAN moving with rotation. Rotation of the body by 180 degrees. (Sometimes = rotate 180 + step back)
THE DOCK songs of the way. Vaka 5 7 5 7 7 complex verses of spiritual purpose. The founder created many docks that reflect the basic essence of Aikido.
TI NO KOKYU the breath of the earth. The second stage of breathing meditation.
TORI another name for naga (the person who throws)
TORI KATA shoulder capture
TORI MENUCHI KATA front shoulder grab and shomen uchi attack
TORIFUNE practice breathing and positioning
TSUBA sword guard, bokken
TSUKA sword handle, bokena
TSUKI kick or push (usually centered)
Taijutsu "body art", i.e. unarmed technique
UDEKIME NAGE throwing with an impact on the elbow bend
UESHIBA KISSOMARU son of the founder of Aikido
UESHIBA MORIHEI founder of aikido. (See O Sensei and kaiso)
UESHIBA MORITERU Grandson of the founder, Aikido Doshu
UKE throwable person, striker
UKEMI literally "receiving through the body". Fall. A method of making a controlled fall when you are thrown.
USHIRO HAGA JIME back girth at chest level with arm lock
USHIRO KATATETORI KUBI JIME elbow bend of the throat from behind with the same wrist grip
USHIRO RETETORI back grip on both wrists
USHIRO RYO HIJ TORI back grab for both elbows
USHIRO RYO KATATORI back grab for both shoulders
USHIRO YORI TORI one-handed grip on the back of the collar
USHIRO YORI TORIMEN UCHI grabbing the back of the collar and shomen uchi
USIRO in the opposite direction or from behind
USIRO UKEMI reverse somersault
VAKI GAMAY a sword that looks down and back
WAKIZASHI short sword
YAI GOSHI hips lowered, stable position
YOKO side
YOKOMEN side of the head
YOKOMEN UCHI side kick to the head with the edge of the palm
YOKOMENUCHI side slash
YUDANSHA Senior degrees (Given)
ZANSHIN balanced stance
ZANSHIN-KAMAE the position that Nage is in after completing the reception, while maintaining a complete view of the surrounding environment
ZENSHIN moving forward
ah 1) Harmony, unification, unification. Active principle of Aiki jutsu and Aikido. 2) Love (in a different spelling). The spirit of love is the spirit of harmony. Not a selfish, limited attachment to an individual or group, but an all-encompassing love that empathizes with everything in the world.
bo a wooden stick about 6 feet long
boo martial fervor, fighting spirit. In Aikijutsu and Aikido, Bu means a valiant and indomitable spirit, yet not disputing or bickering. Aikido is the ultimate expression of Bu, which basically means the art of preventing collision by combining.
hooray "tylny "
senpai senior student
vase techniques and forms of receptions
КАТАТЕ ДОРИ one-handed grip on the wrist.
СОТОКАЙТЭННАГЭ a roll with a spin performed from the outside
